Marius Re Goring CBE FRSL (23 May 1912 – 30 September 1998) was an English stage and screen actor. He often portrayed urbane and morally grey characters, and is best remembered for the four films he made with Powell & Pressburger, particularly as Conductor 71 in A Matter of Life and Death and as Julian Craster in The Red Shoes. He is also known for playing the titular role in the long-running TV drama series, The Expert.
Early life
Goring was born on 23 May 1912 in Newport, Isle of Wight. He was the son of the eminent physician and researcher Charles Buckman Goring (1870–1919), the author of The English Convict, and Kate Winifred (née Macdonald, 1874–1964), a professional pianist of Scottish descent who was also a suffragette. He had an older brother, Donald, who died in Yemen, in 1936, from injuries sustained in a motor vehicle accident.
After attending The Perse School in Cambridge, where he became a friend of an older boy, the future documentary film maker Humphrey Jennings, Goring studied modern languages at the University of Frankfurt am Main, the Ludwig-Maximilians-Universität München, the University of Vienna, and the University of Paris.
Career
Encouraged by both of his parents to pursue his acting ambitions, he made his professional debut in 1927 playing Harlequin. He studied under Harcourt Williams at the Old Vic dramatic school from 1929 to 1932. In 1931, he toured Germany and France with the English Classical Players performing in Shakespearean and classic English plays. Having become fluent in French and German, he joined La Compagnie des Quinze, under the directorship of Michel Saint-Denis, in 1934. He would later encourage Saint-Denis to come to England and work as a director. His early stage career in England included appearances at the Old Vic, Sadler's Wells and in the West End from 1932 through to 1940. During that period, he played a variety of Shakespearean roles at the Old Vic, including the title role in Macbeth and Romeo in Romeo and Juliet (1933), Feste in Twelfth Night (1937), in addition to Trip in Sheridan's The School for Scandal. He first worked in the West End in a 1934 revival of Granville-Barker's The Voysey Inheritance at the Shaftesbury Theatre.
In 1929, he became a founding member of British Equity, the actors' union, served on its council from 1949 and was three times its vice-president from 1963 to 1965, 1975 to 1977 and again from 1980 to 1982. Goring's relationship with his union was fraught with conflict: he took it to litigation on three occasions. In 1978, regarding the issue of the supremacy of a referendum to decide Equity rules, he took it as far as the House of Lords and won his case. In 1992, he unsuccessfully sought to end the restriction on the sale of radio and television programmes to apartheid South Africa. Stressing that he opposed apartheid and would not perform for segregated audiences, he argued that the ban was depriving actors of work, and stated that he wished to stage a production of the play She Stoops to Conquer with an all-black cast. This particular litigation nearly bankrupted him, due to heavy court costs.
In November 1931, at the age of nineteen, he married twenty-nine year old Mary Westwood Steel (1902-1994) at Gretna Green, Scotland (they had a second marriage ceremony in a London register office in February 1932) and their only child, a daughter Phyllida Mariette Goring, was born in March 1932 and died in 2018. The marriage did not succeed and he became engaged in 1935 to ballet choreographer and designer, Susan 'Susy' Salaman, older sister of Merula Salaman, wife of Alec Guinness. Susy contracted acute encephalitis in late 1935 and was left brain-damaged. Goring wanted to go ahead with the wedding but Susy's father, Michel Salaman, would not allow it.
In 1935, he co-founded the London Theatre Studio with Michel Saint-Denis, George Devine and Glen Byam Shaw. It trained actors, directors and designers and was a precursor of the Old Vic Theatre School; Goring taught Shakespeare there. It had to close in late 1939 due to the outbreak of war.
Goring's film career began with an uncredited role in The Amateur Gentleman (1936) with Douglas Fairbanks Jr and a small speaking role in Rembrandt (also 1936). He shared his one scene in this film with the star Charles Laughton, with whom he had previously worked on stage at the Old Vic. He made two further films released in 1939: Flying Fifty-Five with Derrick de Marney where he showed off his comedic skills playing an amusing drunkard and co-starred with Conrad Veidt in his first Powell and Pressburger film, The Spy in Black, an intriguing spy thriller set during World War One, where he played a German officer for the first of many times in his film career.
When war was declared in September 1939, he was back in the West End as Pip in a production of Great Expectations, adapted for the stage by Alec Guinness. Along with all other plays, it was closed down temporarily by the war but was the first to resume when theatres were reopened in early 1940. He joined the British Army in June 1940, and was seconded in 1941 to the BBC as supervisor of radio productions broadcasting to Germany as part of the BBC German Service (Londoner Rundfunk). He made broadcasts under the name Charles Richardson (using his father's first name and maternal grandmother's maiden name), because of the association of his name with Hermann Göring. In 1944 he became a member of the intelligence staff of SHAEF (Supreme Headquarters Allied Expeditionary Force) where he attained the rank of colonel. Because of the broadcasts he had been making to Germany, set up by the Foreign Office as a counter to William Joyce (Lord Haw-Haw), he was put on a Nazi hit-list.
In 1941, he married his second wife, the German actress Lucie Mannheim (1899-1976). Mannheim, who was Jewish, had been a principal actress in the Berlin Theatre but had to leave Germany when the Nazis came to power. She worked with Goring in many stage productions from the 1930s onwards and in seven episodes of The Adventures of the Scarlet Pimpernel, one of which he wrote especially for her, as well as in several films. Mannheim died in 1976, and the next year Goring married television director/producer Prudence Fitzgerald (1930-2018), who had directed him in many episodes of The Expert.
In the film A Matter of Life and Death (1946) Goring played Conductor 71, whose role is to 'conduct' Peter Carter (David Niven) to the afterlife. In The Red Shoes, he played Julian Craster, a young composer who wins the heart of ballerina Vicky Page (Moira Shearer) and clashes with the imperious ballet impresario, Boris Lermontov (Anton Walbrook). In the film Odette released in the UK in 1950, Goring played the role of Colonel Henri, a German Abwehr (Military Intelligence) officer who deceived and captured Odette. The film is based on the true story of Odette Sansom, the first living woman to be awarded the George Cross. The real Odette Sansom was later a witness at his marriage to Prudence Fitzgerald in 1977. He played Colonel Günther von Hohensee in So Little Time (1952), which also featured Maria Schell, one of his rare romantic leads and frequent roles playing a German officer. He considered the film one of his favourites, alongside the four films he made with Powell and Pressburger.
His TV work included starring as Sir Percy Blakeney in The Adventures of the Scarlet Pimpernel (ITV, 1955) (a role which he also performed in a 1952-53 radio show), a series which he also co-wrote and produced; Theodore Maxtible in the Doctor Who story The Evil of the Daleks (BBC, 1967); Professor John Hardy in The Expert (BBC, 1968–1976); Paul von Hindenburg in Fall of Eagles (BBC, 1974); King George V in Edward & Mrs. Simpson (Thames, 1980) and Emile Englander in The Old Men at the Zoo (BBC, 1983).
Goring's voice provides the narration of the sound and light show performed regularly in the evening at the Blue Mosque in Istanbul, Turkey.
Honours
He was made a Fellow of the Royal Society of Literature in 1979 and appointed Commander of the Order of the British Empire (CBE) in 1991.
Personal life
Goring was married three times, to Mary Westwood Steel, Lucie Mannheim, and Prudence Fitzgerald. He had a daughter, Phyllida, with his first wife.
As an adult, Goring regularly performed French and German roles, and was frequently cast in the latter because of his name, coupled with his red-gold hair and blue eyes, fluency in both languages, and a marriage to German actress Lucie Mannheim. However, he did not possess any known German ancestry. In a 1965 interview, he explained that he was not of German descent, stating that "Goring is a completely English name." As BFI Screenonline noted, "Goring, in nearly 50 films, maintained an urbane image - when, that is, he wasn't being notably sinister. Wholly British as he was, he was remarkably adept at suggesting foreigners."
Death
He died from stomach cancer in 1998 aged 86 at his home in Rushlake Green, East Sussex. He is buried in the churchyard of St Mary the Virgin, Warbleton, East Sussex near Rushlake Green with his wife, Prudence, who died in 2018.
Portrayal in fiction
Goring appears as a character in the 2023 BBC radio play, A Wireless War, in which he is recruited by the Radio Drama Company to voice Adolf Hitler in a serial about the rise of Nazi Germany. He is played by Josh Bryant-Jones.
Filmography
Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1936 | The Amateur Gentleman | Minor Role | Uncredited |
| Rembrandt | Baron Leivens | ||
| 1938 | Dead Men Tell No Tales | Greening | |
| 1939 | Flying Fifty-Five | Charles Barrington | |
| The Spy in Black | Lt. Felix Schuster | ||
| 1940 | Pastor Hall | Fritz Gerte | |
| The Case of the Frightened Lady | Lord Lebanon | ||
| 1942 | The Big Blockade | German Propaganda Officer | |
| 1943 | The Night Invader | Oberleutnant | |
| 1946 | Night Boat to Dublin | Frederick Jannings | |
| A Matter of Life and Death | Conductor 71 | ||
| 1947 | Take My Life | Sidney Fleming | |
| 1948 | The Red Shoes | Julian Craster | |
| Mr. Perrin and Mr. Traill | Vincent Perrin | ||
| 1950 | Odette | Colonel Henri | |
| Highly Dangerous | Commandant Anton Razinski | ||
| 1951 | Pandora and the Flying Dutchman | Reggie Demarest | |
| Circle of Danger | Sholto Lewis | ||
| The Magic Box | House Agent | ||
| 1952 | Nights on the Road | Kurt Willbrandt | |
| So Little Time | Colonel Günther von Hohensee | ||
| The Man Who Watched Trains Go By | Inspector Lucas | ||
| 1953 | Rough Shoot | Hiart | |
| 1954 | The Barefoot Contessa | Alberto Bravano | |
| 1955 | Break in the Circle | Baron Keller | |
| The Adventures of Quentin Durward | Count Philip de Creville | ||
| 1957 | Ill Met by Moonlight | Major General Kreipe | |
| The Truth About Women | Otto Kerstein | ||
| 1958 | Rx Murder | Doctor Henry Dysert | |
| The Moonraker | Colonel Beaumont | ||
| I Was Monty's Double | Karl Nielson | ||
| The Son of Robin Hood | Chester | ||
| 1959 | The Angry Hills | Col. Elrick Oberg | |
| Whirlpool | Georg | ||
| The Treasure of San Teresa | Rudi Siebert | ||
| Desert Mice | German Major | ||
| 1960 | Beyond the Curtain | Von Storch | |
| 1961 | The Unstoppable Man | Inspector Hazelrigg | |
| The Devil's Daffodil | Oliver Milburgh | ||
| 1962 | The Inspector | Thorens | |
| The Devil's Agent | Gen. Greenhahn | ||
| 1965 | The Crooked Road | Harlequin | |
| Up from the Beach | German Commandant | ||
| 1967 | The 25th Hour | Col. Muller | |
| 1968 | The Girl on a Motorcycle | Rebecca's Father | |
| Subterfuge | Shevik | ||
| 1970 | First Love | Dr. Lushin | |
| 1971 | Zeppelin | Prof. Altschul | |
| 1978 | La petite fille en velours bleu | Raimondo Casarès | |
| 1990 | Strike It Rich | Blixon |
Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 1949 | Box for One | The Caller | Play |
| 1950–59 | BBC Sunday Night Theatre | Various | 9 episodes |
| 1954 | You Are There | Oliver Cromwell | Episode: "The Trial of Charles the First" |
| Douglas Fairbanks Presents | Nicol Pascal | Episode: "The Rehearsal" | |
| 1955-1956 | Lilli Palmer Theatre | Reinhardt/Major Edward Carter | 2 episodes |
| 1955-1956 | The Adventures of the Scarlet Pimpernel | Sir Percy Blakeney/The Scarlet Pimpernel | |
| 1957-1967 | ITV Play of the Week | Various | 5 episodes |
| 1960 | International Detective | Ferdie Steibel | Episode: "The Steibel Case" |
| 1960-1962 | BBC Sunday-Night Play | Various | 4 episodes |
| 1961-1962 | Drama 61-67 | Captain/Mervyn | 2 episodes |
| 1963 | 24-Hour Call | Sam Bullivant | Episode: "Love for Caroline" |
| First Night | Grieve Wishart | Episode: "The Youngest Profession" | |
| Maigret | Peter the Lett | Episode: "Peter the Lett" | |
| 1964 | The Third Man | Colonel Dimonella | Episode: "A Question in Ice" |
| Love Story | Robert Langley | Episode: "In Loving Memory" | |
| The Great War | Various voices | 26 episodes | |
| 1965 | The Mask of Janus | Dr. Kapaka | Episode: "Why Not Call Me Kruschev? |
| 1965-1970 | Thirty-Minute Theatre | Mr. Ponge/The Interrogator | 2 episodes |
| 1966 | Thirteen Against Fate | Monsieur Hire | Episode: "The Hire" |
| Out of the Unknown | Wattari | Episode: "Too Many Crooks" | |
| 1966-1967 | The Wednesday Play | Reverend Harrup/Sir Hubert | 2 episodes |
| 1967 | The Revenue Men | Kersten | Episode: "The Traders" |
| Doctor Who | Theodore Maxtible | Serial: "The Evil of the Daleks" | |
| 1968 | Man in a Suitcase | Henri Thibaud | Episode: "Blind Spot" |
| 1968–76 | The Expert | Professor John Hardy | |
| 1974 | Fall of Eagles | Von Hindenburg | 2 episodes |
| 1978 | Wilde Alliance | Rex | Episode: "Things That Go Bump" |
| Holocaust | Heinrich Palitz | Part One | |
| 1979 | Edward & Mrs. Simpson | King George V | 2 episodes |
| Tales of the Unexpected | Dr. John Landy | Episode: "William and Mary" | |
| 1980 | Hammer House of Horror | Heinz | Episode: "Charlie Boy" |
| 1981 | Levkas Man | Dr Pieter Gerrard | 6 episodes |
| 1982 | BBC Television Shakespeare | Sicilius Leonatus | Episode: Cymbeline |
| The Year of the French | Lord Glenthorne | Episode One | |
| 1984 | Hammer House of Mystery and Suspense | Angus Aragon | Episode: "The Late Nancy Irving" |
| 1986 | Highway | Self | Episode: "Festivals" |
| 1987 | Gnostics | Episode: Divinity of Man: Hermes Trismegistus & Prospero |
Stage appearances
| Year | Title | Role | Notes |
|---|---|---|---|
| 1925 | Crossings: A Fairy Play | Fairy | ADC Theatre, Cambridge |
| 1927 | Jean Stirling Mackinlay Children's Matinee: Dr Doolittle's Play | Harlequin | The Rudolf Steiner Hall, London |
| 1928 | Jean Stirling Mackinlay Children's Matinee: Dr Doolittle's Play & King John's Christmas (1928) | ||
| 1930 | Les Femmes Savantes | Trissotin | ADC Theatre |
| 1931 | Macbeth, The Merchant of Venice, She Stoops to Conquer & The School for Scandal | Various | Touring Germany and France |
| 1932 | Julius Caesar | Spear Carrier | The Old Vic, London |
| Caesar and Cleopatra | Persian | The Old Vic and Sadler's Wells Theatre, London | |
| As You Like It | Le Beau | The Old Vic, London | |
| Macbeth | Macbeth | The Old Vic and Sadler's Wells Theatre, London | |
| The Merchant of Venice | Salanio | The Old Vic, London | |
| 1933 | She Stoops to Conquer | Aminadab | |
| The Winter's Tale | Cleomenes | ||
| Cymbeline | Second Lord | ||
| The Admirable Bashville | First Policeman | ||
| Romeo and Juliet | Romeo | The Old Vic and Sadler's Wells Theatre, London | |
| The School for Scandal | Trip | The Old Vic, London | |
| Shakespeare Birthday Festival | |||
| The Tempest | Adrian | The Old Vic and Sadler's Wells Theatre, London | |
| A Midsummer Night's Dream | Faerie | With the Oxford University Dramatic Society at Headington Hill Park | |
| Twelfth Night | Sebastian | The Old Vic, London | |
| The Cherry Orchard | Yepikhodov | ||
| Henry VIII | Cardinal Campeius/Garter King of Arms | Sadler's Wells Theatre, London | |
| Measure for Measure | Friar Peter/Abhorson | The Old Vic, London | |
| 1934 | The Tempest | Alonso | Sadler's Wells Theatre, London |
| Love for Love | Buckram | The Old Vic, London | |
| Shakespeare Birthday Festival | |||
| Macbeth | Malcolm | ||
| The Voysey Inheritance | Hugh Voysey | Sadler's Wells Theatre, London and Shaftesbury Theatre, London. | |
| Hamlet | Touring in France, Belgium & The Netherlands with La Compagnie des Quinze | ||
| The Rape of Lucrèce | Tarquin | ||
| Riders to the Sea | Bartley | ||
| 1935 | Shakespeare Birthday Festival | The Old Vic, London | |
| Hamlet | Hamlet | ||
| Noah | Japeth | The New Theatre, London | |
| The Hangman | Gallows Lasse | The Duke of York's Theatre, London | |
| Sowers of the Hills | Aubert | The Westminster Theatre, London. | |
| 1935–1936 | Mary Tudor | Philip of Spain | The Streatham Hill Theatre, Golders Green Hippodrome, Playhouse Theatre, London and Sadler's Wells Theatre, London |
| 1936 | Repayment | Paul Novak | The Arts Theatre, London |
| The Happy Hypocrite | Amor | His Majesty's Theatre, London | |
| The Ante-Room | Vincent de Courcy O'Regan | The King's Theatre, Edinburgh and the Manchester Opera House | |
| Girl Unknown | Max | The New Theatre and the Golders Green Hippodrome | |
| The Wild Duck | Gregors Werle | The Westminster Theatre, London | |
| The Witch of Edmonton | Frank Thorney | The Old Vic, London | |
| 1936-1937 | Hamlet | First Player and Fortinbra | |
| 1937 | Twelfth Night | Feste | |
| Shakespeare Birthday Festival | |||
| Henry V | Chorus | ||
| Satyr | Peter de Meyer | The King's Theatre, Edinburgh and Shaftesbury Theatre, London | |
| A Woman Killed with Kindness | Producer and director | The London Theatre Studio | |
| The Last Straw | Wolfe Guldeford | The Comedy Theatre, London | |
| 1938 | Surprise Item | Arthur Primmer | The Ambassadors Theatre, London |
| Henry Irving Centenary Matinee - Scene from Louis XI | The Lyceum Theatre, London | ||
| The White Guard | Leonid Shervinsky | The Phoenix Theatre, London | |
| 1939 | Nora | Producer | The Duke of York's Theatre, London |
| Lady Fanny | Lord Bantock | ||
| Nina | Schimmelmann (also directed) | The Gaiety Theatre, Dublin and Duke of York's Theatre, London | |
| Hamlet | First Player and Osric (also co-directed with John Gielgud) | The Lyceum Theatre, London and at Kronborg, Helsingør, Denmark | |
| 1939–1940 | Great Expectations | Pip | The Rudolf Steiner Hall, London. |
| 1940 | The Tempest | Prospero (also co-directed with George Devine) | The Old Vic, London |
| 1947 | Monsieur Lamberthier | Maurice | The English and German on tour in Germany (British Zone) |
| 1948 | Rosmersholm | Johannes Rosmer | The Arts Theatre, London |
| Too True To Be Good | Aubrey Bagot | ||
| The Cherry Orchard | Peter Trofimov | ||
| Marriage | Ivan Kuzmich Podkolyosin | ||
| The Bear | Grigory Stepanovitch Smirnov | ||
| 1948-1949 | The Third Man/Jealousy/Monsieur Lamberthier | Maurice | The Arts Theatre, London, Oldham Repertory Theatre Club, Manchester and on tour in Germany. |
| 1949 | Daphne Laureola | Ernest Piaste | On tour in Germany |
| 1950 | 100 Thousand Talers | Mr von Kammersdorf | The Theater am Kurfürstendamm, Berlin |
| 1951 | The Madwoman of Chaillot | The Rag Picker | The St James's Theatre, London |
| 1953 | Richard III | Richard III | The Shakespeare Memorial Theatre, Stratford |
| Antony and Cleopatra | Octavius Caesar | The Shakespeare Memorial Theatre, Stratford and the Princes Theatre, London | |
| The Taming of the Shrew | Petruchio | The Shakespeare Memorial Theatre, Stratford | |
| King Lear | The Fool | ||
| 1954 | Antony and Cleopatra | Octavius Caesar | The Koninklijke Schouwburg, The Hague & Royal Theatre Carré, Amsterdam, the Netherlands, Koninklijke Nederlandse Schouwburg, Antwerp & Theatre Royal de la Monnaie, Brussels, Belgium and Théâtre des Champs-Élysées, Paris |
| 1957 | Scenes from Shakespeare | Leading a company to France at the Théâtre National Populaire, Paris and Annecy, Lyons, Lille, Amiens and Douai | |
| Leading a company to Helsinki, Finland | |||
| 1958 | Scenes from Shakespeare and Classical English Theatre | Leading a company to India and Ceylon | |
| 1960 | Savonarola Brown | Savonarola Brown | The Royal Festival Hall, South Bank, London |
| 1962 | Measure for Measure | Angelo | The Royal Shakespeare Theatre, Stratford |
| A Penny for a Song | Sir Timothy Bellboys | The Aldwych Theatre, London | |
| 1963 | Menage à Trois | Charles | The Lyric Theatre, London |
| King Arthur | Narrator | The Victoria and Albert Museum, London | |
| 1963–1964 | The Poker Session | Teddy | The Gate Theatre, Dublin in the Dublin Theatre Festival (1963) and the Globe Theatre, London (1964) |
| 1963 | Oedipus rex | Narrator | The Royal Festival Hall, South Bank, London |
| 1964 | King Arthur | The Royal Albert Hall, London | |
| 1965 | The Apple Cart | King Magnus | The Cambridge Arts Theatre, Manchester Opera House, New Wimbledon Theatre, Theatre Royal, Brighton and Golders Green Hippodrome, London |
| The Devil's Disciple | General Burgoyne | The Yvonne Arnaud Theatre, Guildford | |
| 1967–1968 | The Bells | Mathias (also directed the Birmingham, Leeds and London productions) | The Derby Playhouse, The Alexandra, Birmingham, the Grand Theatre, Leeds and the Vaudeville Theatre, London |
| 1968 | Married Bliss | Director | The Alexandra, Birmingham and Grand Theatre, Leeds |
| Lend Me Five Shillings | Mr Golighty (also directed) | The Vaudeville Theatre, London. Curtain raiser to The Bells | |
| 1969 | The Demonstration | Professor Bright | The Nottingham Playhouse |
| 1971–1973 | Sleuth | Andrew Wyke | The St Martin's Theatre, London |
| 1972 | If Music and Sweet Poetry Agree | The Royal Shakespeare Theatre, Stratford | |
| 1974 | Tribute to the Lady | The Old Vic, London | |
| The Wisest Fool | James I | The Yvonne Arnaud Theatre, Guildford, The Alexandra, Birmingham, Grand Theatre, Wolverhampton, Civic Theatre, Darlington, Ashcroft Theatre, Croydon, Richmond Theatre, London, Theatre Royal, Bath, Grand Theatre, Leeds and Hull New Theatre | |
| 1975 | The Concert | Gustav Hein | The York Theatre Royal and the Forum Theatre, Billingham |
| This Wooden O | The Bankside Globe Playhouse, London | ||
| Habeas Corpus | Arthur Wicksteed | The Liverpool Playhouse | |
| 1976 | The Sun King | The Tatton Park, Cheshire and Royal Festival Hall, London | |
| Sleuth | Andrew Wyke | The Liverpool Playhouse | |
| 1977 | Jubilee Gaieties | The Marlowe Theatre, Canterbury, Ashcroft Theatre, Croydon, New Wimbledon Theatre, London, Devonshire Park Theatre, Eastbourne, Theatre Royal, Windsor and Wyvern Theatre, Swindon | |
| Royal Thames | The Theatre Royal Haymarket | ||
| Exit: Pursued by a Bear | The Pitlochry Festival Theatre | ||
| 1978 | The Sun King | The Old Town Hall, Hemel Hempstead | |
| 1980 | Woe to the Sparrows | Emperor Franz Josef | The Northcott Theatre, Exeter |
| Lloyd George Knew My Father | General Sir William Boothroyd | The Theatre Royal, Norwich, Theatre Royal, Bath, King's Theatre, Glasgow, Richmond Theatre, London, Pavilion Theatre, Bournemouth, Cambridge Arts Theatre, Key Theatre, Peterborough, Theatre Royal, Brighton, Nell Gwynne Theatre, Hereford, The Alexandra, Birmingham, Sunderland Empire Theatre, Brewhouse Theatre, Taunton, Beck Theatre, Hayes and Theatr y Werin, Aberystwyth Arts Centre | |
| 1981 | Habeas Corpus | Arthur Wicksteed | The Royal Lyceum Theatre, Edinburgh |
| The Sun King | The Theatre Royal, Windsor | ||
| 1982 | Zaide | Narrator | The Old Vic, London |
| The Sun King | The Fermoy Centre, King's Lynn (King's Lynn Festival) | ||
| Peer Gynt | The Button Moulder | The Nottingham Playhouse | |
| 1983 | The Sun King | The Queen Elizabeth Hall, South Bank, London | |
| Metamorphoses (Opera) | Ovid | The Parry Theatre, Royal College of Music, London | |
| 1984 | The Dame of Sark | Colonel Count von Schmettau | The Lyceum Theatre, Crewe, Playhouse Theatre, Harlow and Key Theatre, Peterborough |
| The Winslow Boy | Arthur Winslow | The Forum Theatre, Wythenshawe, Grand Opera House, Belfast, Theatre Royal, Norwich, Beck Theatre, Hayes, Towngate Theatre, Poole, Kings Theatre, Southsea, Richmond Theatre, London, Civic Theatre, Darlington, Babbacombe Theatre, Torquay, Theatre Royal, Plymouth, New Theatre Royal Lincoln, Liverpool Empire Theatre, Swan Theatre, Worcester, His Majesty's Theatre, Aberdeen, Orchard Theatre, Dartford and Ashcroft Theatre, Croydon | |
| 1985 | I Have Been Here Before | Dr Görtler | The Cambridge Arts Theatre, Marlowe Theatre, Canterbury, King's Theatre, Glasgow, Eden Court Theatre, Inverness, Kings Theatre, Southsea, Towngate Theatre, Poole, Ashcroft Theatre, Croydon, The Capitol Theatre, Horsham, Grand Theatre, Wolverhampton, Forum Theatre, Billingham, Oxford Playhouse, His Majesty's Theatre, Aberdeen, Key Theatre, Peterborough and New Theatre, Cardiff |
| 1985–86 | The Apple Cart | Nicobar | The Theatre Royal, Bath and the Theatre Royal Haymarket, London |
| 1989 | Towards Zero | Matthew Treves | The Churchill Theatre, Bromley, Theatre Royal, Brighton, Cambridge Arts Theatre, The Hexagon, Reading, The Alexandra, Birmingham, Theatre Royal, Nottingham, Hull New Theatre, Derngate Theatre, Northampton, Grand Theatre, Blackpool, Grand Theatre, Wolverhampton, Theatre Royal, Margate, Liverpool Empire Theatre, New Theatre Royal Lincoln, Ashcroft Theatre, Croydon, Wyvern Theatre, Swindon, Theatre Royal, Windsor, Theatre Royal, Newcastle, Manchester Opera House, Forum Theatre, Billingham, His Majesty's Theatre, Aberdeen and Eden Court Theatre, Inverness |
| 1990 | Sunsets and Glories | Cardinal Latino Malabranca Orsini | The West Yorkshire Leeds Playhouse, Leeds |
| 1992 | Cerceau | Nikolai Lvovitch (Koka) | The Orange Tree Theatre, Richmond |
