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Medieval form of female headdress

Wimple

Wimple
Monumental brass of Margaret, Lady Camoys (d.1310), St George's Church, Trotton, West Sussex. This is the earliest surviving brass of a female figure in England. She wears around her neck a wimple (or gorget) which hides the chin and sides of the face. This…
Monumental brass of Margaret, Lady Camoys (d.1310), St George's Church, Trotton, West Sussex. This is the earliest surviving brass of a female figure in England. She wears around her neck a wimple (or gorget) which hides the chin and sides of the face. This…

A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity, a married woman showing her hair was considered unseemly. A wimple might be elaborately starched, creased and folded in prescribed ways. Later elaborate versions were supported on wire or wicker framing, such as the cornette.

Italian women abandoned their head coverings in the 15th century or replaced them with transparent gauze, showing their braids. Elaborate braiding and elaborately laundered clothes demonstrated status, because such grooming was performed by others. Today a plain wimple is worn by the nuns of certain orders who retain a traditional habit.

In literature

The Wife of Bath and the Prioress are depicted wearing wimples in the Canterbury Tales of Geoffrey Chaucer (c. 1343 – 1400).

The King James Version of the Bible explicitly lists wimples in Isaiah 3:22 as one of a list of female fineries; however, the Hebrew word "miṭpaḥoth" (מִטְפָּחוֹת) means "kerchief".

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