Dancing in September

Dancing In September tells the story of two hopeful and ambitious African-Americans attempting to make their mark in the television industry. One is a scriptwriter named Tomasina “Tommy” Crawford (Parker), who has grown weary of contributing to stereotypical characters and programming for African-Americans and dreams of creating a balanced, positive program for herself and the African-American public. The other is a newly appointed television producer named George Washington (Washington), who hopes to ascend to the highest levels of the television industry and carve out a special place for himself to help redefine African-American programming. When Tommy submits a script for a positive family sitcom titled "Just Us," she is indirectly brought into George's path. The rest of the film follows the struggles that both she and George face in their specific environments, mainly painting a positive portrayal of African-Americans in the media, in addition to staying true to their own culture and identity as African-Americans.

Critical response

Lael Loewenstein of Variety called Dancing in September "a handsomely mounted tale of love and compromise set against the backdrop of network TV" and concluded her review by writing, "Bythewood's ambition is worthy of his talent, and this is an impressive freshman effort. Pic could stand a little trimming, but pacing in general is sharp and up-tempo, much like Bythewood's writing." Todd McCarthy of Variety described the film as "the decorous and conventional version of Bamboozled" and opined that "Bythewood's approach is downright polite by comparison, as he analyzes the commercial pressures on TV creators to be entertaining at all costs while weaving through it a perfectly agreeable but unexceptional love story." Julie Salamon of The New York Times stated, "Mr. Blythewood has a smooth directing style and plenty of show-biz smarts. Maybe too much; he salts this production with lots of insider bits of business […]. Despite this shrewdness, Mr. Blythewood doesn't resist sliding into the genre's twin pitfalls of sentimentality and melodrama. Still, Dancing in September presents a fresh look at familiar territory."

Accolades